![]() ![]() While you can activate your Capture One Pro single-user license on up to 2 computers, it is exclusive to one user only.Meet the Ambassadors and check out clubs on your campus ›. If you need a license for multiple users, a multi-user or Enterprise license could be for you. SoftwareMedia provides discount software Capture One Pro Student Discount to businesses & consumers and carries over 80 top software brands. If you have questions our knowledgeable staff can help find the best software solution for you. #What is capture one pro fullĪomei Partition Assistant – Full Review With Video, Pros & Cons.įilters are a key component to most landscape photographers’ kit lists, but every now and then, we face a situation where the addition of those clever pieces of “neutral density glass” can’t quite cut it alone. However, by combining Capture One 11’s advanced masking features, adjustment layers, and dynamic range recovery tools, we can get that image back to exactly what we saw with a few simple steps. Well, there I was, stood in the freezing cold looking out over Yosemite Valley following New Year’s Eve in California – and the sky had been exceptionally kind to me. What started out as flat and grey overhead had rapidly turned into a fire-filled sky above our heads. While my iPhone did a great job of capturing the sky above, it had certainly oversaturated the orange tones, and simply couldn’t handle the difference in light levels from above and below – even in its coveted “HDR mode.” To be fair, it’s a huge difference, and any camera would have struggled with the choice of exposing for the sky or the ground below without some form of assistance. Of course, there is a simple solution to this problem – our handy “Graduated Neutral Density” (or “GND”) filters come in various configurations to allow for such differences in light, and in most situations, do a great job. In this case, the use of a Medium GND (“medium” refers to the transition size between dark and light areas of the filter) allowed my XF IQ3 Trichromatic to expose correctly for the sky above, as well as record all the detail in the ground below.īut there’s still a problem with this scene, even with the use of some amazing glass filters. Whether it’s a reverse, medium, hard or soft GND filter in use, we’re faced with the same challenge: the scene is not “linear” across the brightness profile, and the lightest part of the capture doesn’t match the standard filter designs that exist on the market. We have mountains which are being darkened even further by the filter and bright areas of the shot which are not affected enough to maintain the detail I wanted. In essence, our scene (like many) is not regular enough. Of course, it would technically be possible to have a custom glass filter made for this exact scene, but in reality, that’s not a viable option. Luckily, Capture One can recover a lot of the detail that our cameras are capable of storing – detail which isn’t obvious in the initial RAW file, from the shadows and highlights of each image we capture. ![]() With 15 stops of dynamic range in the Phase One IQ3 Trichromatic 100MP Digital Back, I knew there was a lot more detail in the image than shown on-screen at the time I was previewing. As such, I left happy knowing that I had no warning signs for any completely over (or under) exposed areas across the entire shot. ![]()
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